Class 9 English · Chapter 2

The Pot Maker & Gifts of Grace: Honouring Our Vocations

Complete textbook exercise solutions — NCERT Kaveri, Class 9 English (CBSE) — both lessons of this chapter.

Advertisement

This chapter has two lessons: 1. The Pot Maker and 2. Gifts of Grace: Honouring Our Vocations.

Lesson 1

The Pot Maker

Reflect and Respond

IIdentify the vocations in the pictures. List five more vocations.

Vocations in the pictures: basket weaving (bamboo craft), pottery, handloom weaving and carpentry.

Five more vocations: tailoring, blacksmithy, goldsmithy, shoemaking (cobbler) and masonry.

IIDiscuss the following questions.

1. What is common among these pictures?
All the people are making things by hand. They use traditional skills passed down in families.

2. We refer to such skill-based work as v _ _ a _ _ o _ s.
vocations

3. Mention a few differences between handmade and machine-made products.
Handmade products are unique. No two pieces are exactly the same. They take more time and cost more. They support local artisans and are often eco-friendly.

Machine-made products are identical. They are made quickly and in large numbers. They are usually cheaper.

Check Your Understanding (Part I)

IDo you think pot making is easy? If yes, why? If no, why not?

No. The clay is found sixteen kilometres away, down a steep riverbank. It must be carried uphill and pounded for a long time. A batch takes months, and the reward is only a few rupees.

IIWould Sentila be able to fulfil her dream of becoming a pot maker? Explain.

Yes. She is passionate and keeps watching the expert potters. The village elders also want the skill to be passed on to her. So she will surely learn it.

IIIDo you think Mesoba and Arenla would support Sentila? Give a reason.

Yes. Mesoba promised the village council that Sentila would make the best pots. The council also reminded Arenla that it was her duty to teach her daughter.

Check Your Understanding (Part II)

IDo you think Onula’s support helped Sentila? If yes, why? If no, why not?

Yes. Onula saw that Sentila was too tense. She calmed her and showed her how to make a perfect pot. She also told her to watch her mother shape the mouth. This gave Sentila confidence.

IISentila observes her mother making pots. What does this tell us about her?

It shows that she is a keen observer and a quick learner. She is also determined to master the craft.

IIIArrange the events in the correct sequence.
4. Sentila was passionate about pottery but did not share it with her mother.
6. Sentila overheard her mother saying that pot making was tiring and earned very little.
3. Sentila observed how other expert potters crafted beautiful pots.
1. The village council called Mesoba to know about Arenla’s unwillingness to teach pottery.
8. Sentila learnt pot making for a year from her mother, but was unsuccessful.
5. Onula guided Sentila in the art of pot making.
2. Arenla made a new batch of pots and asked Sentila to continue as she was unwell.
9. Sentila made pots quickly and skilfully, just one less than her mother.
7. Onula observed two rows of pots, which she felt was the work of two people.

Critical Reflection

I.1Read the extract and answer the questions.
Pounding the stubborn clay inside bamboo cylinders to soften it, is also tedious. … And the reward? A few rupees. But if Sentila learns weaving, she can make much more money … the return is handsome.

(i) Choose the correct reason for the assertion: The effort in making pots is far greater than the returns.
A. The process of pot making is quite tiresome and long, and one hardly earns much.

(ii) Why does Arenla want Sentila to learn weaving?
Weaving earns much more money. It also gives enough cloth for the family.

(iii) State one advantage that weaving has over pot making.
Weaving is not messy and can be done indoors in all seasons.

(iv) Choose the sentence that uses ‘handsome’ in the same way as in the extract.
B. They will make a handsome profit selling this property.

(v) ‘And the reward?’ What is the purpose of using a question mark here?
It is a rhetorical question. It stresses how small the reward is and shows Arenla’s disappointment.

I.2Read the extract and answer the questions.
She watched Sentila’s clumsy efforts to make a pot and noticed that Sentila was too tense. … “Don’t worry, little one, I shall teach you how to make a perfect pot.”

(i) Onula feels Sentila’s effort at making a pot is clumsy because ______.
Sentila was too tense, so the clay would not take the right shape.

(ii) ‘Don’t worry, little one, I shall teach you…’ This shows that Onula was ______.
C. thoughtful and generous

(iii) Which among the following is the effect of a cause?
A. As a result, the clay seemed unable or unwilling to yield the right shape.

(iv) ‘Onula fashioned a beautiful pot.’ Here, ‘fashioned’ means ______.
created

(v) How might Sentila have felt when she saw ‘the misshapen lump fall flat on the ground’?
She must have felt tired, frustrated and disappointed.

IIAnswer the following questions.

1. Describe the process of pot making followed by expert pot makers, as observed by Sentila.
The clay is mixed with water and pounded. The potter pushes the left hand into the softened lump and rotates it. The pot is shaped with a spatula in the right hand. After two or three days, it gets a final touch. Then the pots dry in the sun and are fired in a kiln on a bed of hay and dried bamboo.

2. What warning was given to Mesoba by the village council?
The elders told him to remind Arenla that it was her duty to teach Sentila the skill. Such skills did not belong to any one person. Experts had to pass them on to anyone who wished to learn.

3. How did Sentila feel when she failed at pot making even after a year of training?
She felt ashamed and frustrated. She hung her head in shame.

4. ‘Onula stood there for a long time as if trying to absorb a new phenomenon.’ Explain.
Onula saw two rows of pots that looked exactly alike. She realised that Sentila had made one batch. The skill had passed from mother to daughter. She was amazed and needed time to understand it.

5. ‘The tradition and history of the people did not belong to any individual.’ What does this symbolise?
It means that traditional skills belong to the whole community. They must be shared and passed on, so that the culture stays alive.

6. What is the significance of the line, ‘A new pot maker was born’?
It shows that Sentila had finally mastered the craft. The tradition passed on to the next generation, even as her mother died.

7. What is the role of perseverance in pursuing one’s dreams? Elaborate with reference to Sentila.
Perseverance helps us keep going after failure. Sentila failed for a whole year. Still, she practised secretly, watched carefully and never gave up. In the end, she made pots as fine as her mother’s.

Vocabulary and Structures in Context

IClassify the words/phrases into tools, raw materials and process.
Tools/ImplementsRaw MaterialsProcess
daodoughpounding
spatulaclayrotating
basketbambooshaping
cylinders, kilnbed of hay
IIFind the meanings of the words related to economy and frame sentences.
  • bankrupt – unable to pay one’s debts. The company went bankrupt after heavy losses.
  • credit – money borrowed, to be paid later. He bought the bicycle on credit.
  • currency – the money used in a country. The rupee is the currency of India.
  • debt – money owed to someone. The farmer worked hard to repay his debt.
  • fiscal – related to government money and taxes. The fiscal year in India begins in April.
  • inflation – a general rise in prices. Inflation has made vegetables costly.
  • investment – money put in to earn profit. Buying land is a good investment.
  • interest – extra money paid on a loan or earned on savings. The bank pays interest on our savings.
III.1Complete the sentences with suitable noun clauses.
  1. The elders emphasised that skills like pot making did not belong to any individual.
  2. Mesoba explained why Arenla had not yet taught pot making to Sentila.
  3. Onula’s promise was that she would teach Sentila how to make a perfect pot.
  4. Sentila observed her mother carefully when she was shaping the mouth of the pot, which helped her learn to make the rim.
  5. The kiln, where the pots were fired, required careful attention to prevent over or under firing.
III.2Underline the main clause and circle the subordinate clause.
  1. Main: Arenla took Sentila to the riverbank | Subordinate: where the grey and red clay was found
  2. Main: She started on the next one | Subordinate: who had suddenly found momentum
  3. Main: skills such as pot making | Subordinate: which not only catered to the needs of the people
III.3Complete the sentences with suitable relative clauses.
  1. Sentila, whose dream was to become a pot maker, practised the craft diligently.
  2. The village council, where the elders met to decide matters, sought an explanation for Arenla’s reluctance.
  3. The potter’s hands, which were steady and skilled, shaped the clay into beautiful creations.
  4. Arenla, her mother, wanted her to learn weaving, which brought more money.
  5. Mesoba went home and discussed the matter with Arenla, who listened to him quietly.
III.4Determiners.

(i) More determiners from the text: the, a, her, some, many, two, all, every, this, that, no.

(ii) Fill in the blanks:

  1. The florist arranged five bouquets for her clients, that were displayed in her elegant floral shop.
  2. The carpenter crafted two unique tables, and each became the centrepiece in his furniture collection.
  3. Some of the apprentices in the culinary class demonstrated their knife skills during the intense cooking session.
  4. Many of the sculptures were displayed at the art exhibition, showcasing their diverse artistic skills.

Listen and Respond

IListen to a man speak about stone statues and fill in the blanks.

1. three-dimensional   2. sculptures   3. fascinating and mesmerising

IISelect the six correct steps involved in making stone statues.
6. choose the stone
3. measure the weight and dimensions of the statue
1. carve to remove large unwanted portions of the stone
9. work to bring out the imagined shape
5. refine the creation within the stone
8. detach the creation from the stone as the final statue

Steps 2, 4 and 7 are not among the steps described.

Speaking Activity

IRole-play between Sentila and another character.

Sentila: Onula, I feel ashamed because I could not make even one pot in a whole year.

Onula: Don’t worry, little one. You are too tense. Relax your hands and let the clay move.

Sentila: I wish Mother would teach me properly. She only watches me fail.

Onula: Watch her carefully when she shapes the mouth of the pot. You are a quick learner. You will do well.

Sentila: When you said that, it made me feel confident again. I will not give up.

Writing Task

IReflective writing — identifying skills and passion.

My Skills and My Passion

I have always loved drawing. Colours make me happy, and sketching helps me relax after a long day.

I attend an art class every Saturday. At home, I practise sketching faces and nature. I also design posters for school events.

I believe my drawing skills can become a profession in graphic design. Designers need creativity, patience and an eye for detail. I am working on all three.

Last year, my poster on saving water won the first prize in school. That day, I realised that my hobby can also send a message to people.

This reflection has shown me that my passion and skill go together. With more practice and learning, I hope to become a good designer.

Learning Beyond the Text

IMatch the pictures with the pottery they represent.

Use these clues: Blue pottery (Jaipur) – blue and white glazed vases and plates; Terracotta (West Bengal) – reddish-brown baked clay figures; Longpi Black pottery (Manipur) – grey-black cooking pots; Khurja pottery (Uttar Pradesh) – bright, colourful glazed crockery; Andretta (Himachal Pradesh) – studio pottery made on the wheel; Karigari (Tamil Nadu) – rows of plain red clay pots.

IIRead ‘Quality’ by John Galsworthy and write its review.

Book Review: Quality

‘Quality’ by John Galsworthy is the story of Mr Gessler, a German bootmaker in London. He makes only what is ordered, and his boots never fail to fit. He uses the best leather and does all the work himself.

Big firms take away his customers through advertisement. Gessler refuses to lower his standards. Slowly he loses work, money and health, and finally dies of starvation.

The story shows the decline of traditional craft against mass-produced goods. It is sad but powerful. It teaches us to value honest work and true quality.

Lesson 2

Gifts of Grace: Honouring Our Vocations

Reflect and Respond

IRead the riddles and identify these people.
  1. In furrows deep, secrets I sow… — A farmer
  2. From wheel to kiln, my skill is born… — A potter
  3. I lay foundations, brick by brick… — A mason
  4. I work with pots, pans, and spice… — A cook
IIWhat is the role and relevance of these people? How do they contribute to society?

The farmer grows our food. The potter makes pots and lamps. The mason builds our homes and schools. The cook prepares tasty, healthy meals. Each one meets a basic need, so society cannot run without them.

Check Your Understanding

IState whether the statements are true or false. Rectify the false statements.
  • 1. The poem highlights the skilled work of craftsperson. — True
  • 2. The poet shares that musicians express emotions through their instruments. — True
  • 3. The carpenters in the poem are admired for their logical work. — False — They are admired for creating anything out of wood with mathematical precision.
  • 4. The electricians are recognised for their crucial role in lighting up lives. — True
  • 5. The poem pays homage to shoemakers who manufacture quality footwear. — True
  • 6. The poem celebrates the patriotism of the people of Bharat. — False — It celebrates the varied vocations of the people of Bharat.
  • 7. The poet feels that each vocation deserves to be respected. — True
IILet us appreciate the poem.

1(i) Does the poem strictly adhere to a rhyme scheme, or is it in free verse?
It is in free verse. There is no fixed rhyme scheme.

1(ii) What is the impact of the varying length of lines?
The lines flow naturally like speech. They also show the variety of vocations described.

1(iii) What is the pattern in the structure of most lines?
Most lines name a vocation and then use an ‘-ing’ word, such as “The carpenters celebrating”, “The electricians humming”.

2(i) Who appears to be the speaker and what is her/his role here?
The speaker is the poet, an observer who hears Bharat. The speaker celebrates and honours all workers.

3(i) Fill in the blanks.
A. The tone is celebratory and reverential. B. There is a joyful mood throughout the poem.

4(i) Select any two descriptions that evoke visual images.
“craft, woven with colours and myriad hues” and “The boatmen gathering their nets from the shore”.

4(ii) The poem includes auditory imagery through mentions of artisans with lutes, ______ and ______.
the electricians humming and the boatmen singing (also the delicious singing of the cook)

5(i) The mention of ‘delicious singing’ of the cook is a metaphor… True or false?
True

6(i) Select the line that shows the poet personifies vocations.
“The voice of their vocation is the voice of their identity.”

7(i) Why might the poet have begun and ended with the same line?
It stresses the main idea of celebrating all vocations. It also gives the poem a complete, circular shape.

8(i) Identify two examples of alliteration.
“varied vocations” and “carpenters celebrating”.

9(i) What does each vocation symbolise?
Each vocation symbolises the identity, pride and dignity of the worker. It also stands for the rich culture of Bharat.

Critical Reflection

IRead the extract and answer the questions.
The shoemakers affirming the quality of their work, for the feet that walk, dance, run, jump, return home. / The delicious singing of the cook, or the rhythm of designer, mason, each celebrating what belongs to them and to none else,

1. What does ‘affirm’ refer to here?
(ii) to declare with confidence

2. What do quality shoes help with, according to the poet?
They help our feet walk, dance, run, jump and return home.

3. What does ‘return home’ symbolise besides the literal act of returning?
It symbolises safety, comfort and completing the journey of the day.

4. Identify the phrase that tells us every worker’s contribution is distinct.
“each celebrating what belongs to them and to none else”

5. …for the feet that walk, dance, run, jump, return home refers to ______.
all the activities of our daily life

IIAnswer the following questions.

1. Why does the poet say, ‘I hear Bharat celebrating, the varied vocations I hear’?
In Bharat, people follow many different vocations. Each worker is proud of the work and celebrates it. The poet hears this joy everywhere.

2. What does the electrician ‘humming’ while getting ready for work suggest?
It suggests that the electrician is happy and enjoys the work.

3. Explain the line, ‘The voice of their vocation is the voice of their identity.’
A person’s work shows who they are. Their skill gives them pride and a place in society.

4. Is the role of all people of different vocations important in our daily lives? Give a reason.
Yes. We need the farmer for food, the electrician for light and the shoemaker for footwear. Every worker makes our life easy.

5. Why is the poet celebrating all the vocations? Explain with examples from your context.
The poet wants us to respect all kinds of work. In my area, the vegetable seller, the tailor and the auto driver help us every day. Without them, life would stop.

6. How does the poet use sensory imagery to bring out the beauty of everyday work?
The poet uses sight (“colours and myriad hues”), sound (“humming”, “singing”, “rhythm”) and taste (“delicious singing”). These make ordinary work look beautiful and alive.

Vocabulary in Context

IMatch the vocations with the descriptions.
  1. A person who studies or grows garden plants — horticulturist
  2. A trained female community health worker — ASHA worker
  3. A producer of raw silk — sericulturist
  4. A person whose job is making or selling sweets and chocolates — confectioner
  5. A metalworker who works with precious metals — goldsmith
  6. A person who fuses materials together — welder
IIIdentify the word that is NOT a synonym.
  • 1. myriad — countable
  • 2. hues — drawing
  • 3. precision — calculation
  • 4. varied — uniform
  • 5. delicious — inedible

Listen and Respond

IWhat does the boy use to understand the details of the tools?

toy cars

IIChoose the correct option.
  • 1. The girl is ______ about taking food for her mother at the factory. — (i) happy
  • 2. The boy thinks that the job of the girl’s mother carries a lot of ______. — (iii) responsibility
  • 3. The girl ______ why the boy is good at science exhibitions. — (iii) realises
  • 4. The girl shares her ______ about joining the weekend discussion on tools. — (ii) wish

Speaking Activity

ISpeak for 1–2 minutes about a vocation from the poem.

I am an electrician. I work in homes, offices and on street poles. I fix wires, switches and fans. Some days I climb high poles in the hot sun or rain. The job is risky, but I feel proud when a dark house lights up. My message is: use electricity safely and never touch loose wires.

Writing Task

IComplete the poster for the Career Mela.

ABC PUBLIC SCHOOL
announces

CAREER MELA

To spread awareness about various careers
on 25 February from 9 a.m. to 6 p.m. at the School Auditorium, Pune

Highlights:
• Details, information and brochures provided for all streams
• Counsellors for all subjects and courses
• Interactive sessions with professionals

CHART YOUR FUTURE AT CAREER MELA

Entry: FREE  |  Sponsors: City Bank and Book World

Issued by: Principal, ABC Public School

Learning Beyond the Text

IIICreate a Haiku poem.

Haiku (5–7–5)

Clay spins on the wheel
Gentle hands shape a new pot
Old craft lives again

I–IIThe Lamplighter / Presentation on a vocation.